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Facebook looks to be dwindling after only a year of testing

The enthusiasm for podcasts on Facebook looks to be dwindling after only a year of testing with the format. The social media platform Facebook launched Live Audio Rooms, short-form stories known as Soundbites, and podcasts for users in the United States in April, at a particularly active moment for audio. As a result of its negotiations with artists, the firm sponsored Podcast Movement, one of the most prominent industry conferences held in the United States. It even went so far as to have product managers from Facebook go on the long-running industry show "New Media Show" in order to encourage podcasters to adopt the social media platform.

The platform is now focusing on additional initiatives in discussions with other partners, according to industry executives who have previously worked with the platform. These other projects include events in the metaverse and online shopping, among other things. They requested that their identities not be published since the details of their conversations with Facebook have not been made public at this time.

Podcasters are dissatisfied with Facebook's waning interest in the medium, despite the fact that the platform's scale affords a large potential audience and, thus, the possibility of more advertising revenue for the medium. In order to compete with rising competition and a significant decrease in its stock price, Meta Platforms Inc., the company's parent company, is concentrating its efforts on the metaverse and short-form video projects rather than traditional video games.

In a statement, a representative from Facebook indicated that the company is continuing to work on podcasts while simultaneously accelerating the development of essential products like as Reels and Feed. Several consumers have expressed satisfaction with the company's audio goods, according to a corporate representative who declined to provide specifics about the comments.

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In some respects, Facebook's entry into audio seemed to have been predestined to take place. The company was able to do this during an audio mania in 2017, when the live audio platform Clubhouse was valued at $4 billion and every online firm sought to mimic its product, during which time it was valued at $4 billion. Spotify Technology SA had a market valuation of more than $50 billion a year ago, which is more than triple its current value, while Amazon.com Inc. was in the process of securing major audio licencing deals with major labels. As a consequence, when Facebook announced that it will be expanding its audio offerings, no one was entirely taken by surprise.

Also contemplated was the establishment of an education and training programme to entice manufacturers to use the platform as a method of breaking into the industry. Editaudio founder and CEO Steph Colbourn was approached by a company working with Facebook about paying her to train 15 or so podcasters from diverse backgrounds on how to produce their programmes and use the platform. However, the organisation never followed through on its proposal.

According to the event's attendance list, Facebook then withdrew from the conference's branch event in March, despite having sponsored the conference's main event in August and sending a total of zero personnel to that event.

Some of the firm's initial Live Audio Rooms partners are no longer hosting discussions, and their agreements with the company have not been extended with the company. One such individual is civil rights activist DeRay McKesson. McKesson, for example, signed a six-show agreement that he claims went well. His contract, on the other hand, has not been extended.

Priorities are being reevaluated at this time.

According to her LinkedIn profile, Irena Lam, a well-known podcast product manager at Facebook, appears to have moved on to a music-related position, which is another another sign of the industry's shifting priorities.

The reality is that even Facebook's modest podcasting attempts have proven to be a source of growth for some content creators, despite the fact that they are still in their early stages. According to a spokesman from the political programming business TYT Network, the social networking website Facebook is the organization's second-most popular listening platform, behind only Apple Podcasts in terms of popularity. According to the network's Chief Marketing Officer, Praveen Singh, the network began releasing audio content on Facebook in September, and the channel has already earned "hundreds of thousands of additional monthly listeners," according to Singh. According to her, TYT receives double the amount of attention as the average artist on the platform.

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